![]() |
||||
|
||||
>Home |
May 2 Batcombe Jubilee Hall, nr Shepton Mallet
8.00pm 01749 850311 May 10 Westonzoyland Community Centre, nr
Bridgewater 8.30 01278 691310 May 16 St Clement
Dane's Church, The Strand 2.30pm LONDON CONTEMPORARY CHURCH MUSIC FESTIVAL June 15 Meeting House Arts Centre., Illminster
8.00pm 01460 55783 June 23 City of London free lunchtime concerts 'Piaf -A Celebration of a legend' with TINA MAY June 26 The Custom House, South Shields 0191 454 1234'Piaf -A Celebration of a legend' with TINA MAY July 3 National
Theatre Foyer. 5.45pm free event July 10 Frome Festival, Frome Somerset 7.30pm July 11 Theatre Royal Bury ST Edmunds 01284 769505 'Piaf -A Celebration of a legend' with TINA MAY July 15 Kinsale Arts Week, Co Cork, Ireland. Intimate History - Jake Oldershaw & company July 18 Torch
Theatre, Milford Haven 016466941 Aug 22 Caryford Community Hall, Ansford 01963
350160 Sept 6 & 7 as part of Roland V accordion week, St Audries Bay. Workshops, concerts - more details to follow October 19 Tilburg, Netherlands. Solo performance as part of book launch about the Giulietti Sound.
PAST QUARTET GIGS Ealing Jazz Festival
OTHER PROJECTS REVIEW Kate Westbrook’s previous recorded projects,
Good-bye Peter Lorre (Femme, 1991) and Cuff Clout: A Neoteric Music Hall
(Voiceprint, 2001), have both exploited one of the most distinctive and
affecting voices in the music to powerfully dramatic, if basically heterogeneous
effect; on this latest album (significantly labelled on its front cover ‘KW
in The Nijinska Chamber’), she has created an entirely homogeneous
presentation, via nineteen short songs interspersed with spoken commentary,
dealing with various incidents from and matters pertaining to the life
of choreographer Bronislava Nijinska. Early life in St Petersburg, first
love, dance classes, the status of her celebrated brother and Diaghilev’s
Ballets Russes, her 1921 escape to Vienna to join Nijinsky (by this time
in an asylum), her unhappy devotion to Chaliapin, her final years in
America (from where she reminisces, forming the narrative spine of the
piece) are all touched on via songs of great tenderness and sensitivity,
delivered from a variety of perspectives that perfectly utilise Kate
Westbrook’s extraordinary vocal versatility and flair for the theatrical.
The music, written by Mike Westbrook, is appropriately striking, consistently
emotional and touching without ever veering into sentimentality, and
in accordionist and occasional fellow singer Karen Street (the sole accompanist
throughout), the music has found a superb interpreter, the varied textures
and tones of her instrument perfectly capturing the subtlest shades of
emotion expressed in the songs, from the tenderness of first love to
the simple enjoyment of a milk shake. Although clearly designed as a
stage presentation, where its humour, pace, variety and intimacy would
come into their own, The Nijinska Chamber works well as an album, and
provides yet more evidence, were it needed, of Kate Westbrook’s
importance as an artist, unaffectedly weaving into her music, as she
so often does, elements from the visual, dramatic and performance arts
in a way unique to her. Past Gigs with the Quartet
|
|||
|
|
||||